To a great extent, her work addresses existentialist concerns born of a period of war, conflict, and distress: the struggle of choosing to live meaningfully and authentically in an uncertain, hostile, and indifferent universe. While Bourgeois’s illogical spaces, irrational juxtapositions, and distorted anthropomorphic forms might appear surrealist in nature, her subjects testify to her commitment to existential thought.
The engravings of eccentric structures and strange apparatuses, which recall the cold and impersonal architecture of surveillance or imprisonment, are paired with pithy parables described in the book’s introduction as “tiny tragedies of human frustration.”
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Dates:November 15, 2015 10:00 am to May 15, 2016 05:00 pm
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Contact:National Gallery of Art
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